Buster Simpson
Buster Simpson
The Museum of Glass
Tacoma, Washington
Incidence is a sculpture about the perception of a material—glass. The installation exploits glass and our fascination with its illusive, transformative and dematerializing qualities. The phenomenon of the incidence of ambient light on glass provides an ever changing easel to the sky.
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BLACKBIRD IN A RED SKY (A.K.A. FALL OF THE BLOOD HOUSE)
BLACKBIRD IN A RED SKY (A.K.A. FALL OF THE BLOOD HOUSE)
The Museum of Glass
Tacoma, WA
The humanistic referents in Blackbird in a Red Sky, also
known as Fall of the Blood House—African-American history
and the feminine—are important to me. I contemplate how,
in an ostensibly open-ended continuum of received knowledge,
personal narrative and established histories can shape
understanding.
—Mildred Howard
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Fiori di Como
Fiori di Como
Fiori di Como,” created by the acclaimed American artist Dale Chihuly, is a breathtaking glass sculpture that adorns the ceiling of the Bellagio Hotel’s lobby in Las Vegas, Nevada. Completed in 1998, this masterpiece is renowned not only for its staggering beauty and complexity but also for being the largest glass sculpture ever made, embodying Chihuly’s distinctive style and unparalleled craftsmanship in the realm of blown glass art.
Dale Chihuly, known for pushing the boundaries of glass as a medium, designed “Fiori di Como” to evoke a vibrant garden of glass blooming overhead. The sculpture is comprised of over 2,000 hand-blown glass flowers, covering an expansive 2,000 square feet of the hotel’s ceiling. The sheer scale and complexity of the installation make it a monumental achievement in the field of glass art. Each individual piece, varying in shape, color, and size, contributes to a dazzling array of colors and forms that simulate a wildflower garden in the sky. The sculpture’s organic, fluid shapes and the translucent quality of the glass combine to create a dynamic interplay of light and color, changing in appearance as the natural light shifts throughout the day.
The process of creating “Fiori di Como” was a massive undertaking that required the collaboration of a skilled team of glassblowers, led and orchestrated by Chihuly. The project was built and developed under the direction of Philip Stewart, who managed the logistical challenges of engineering and installing such a massive and delicate work. The installation process itself was a feat of engineering, requiring careful planning and precision to ensure that each piece was securely mounted and harmoniously integrated into the overall composition.
Chihuly’s vision for “Fiori di Como” was inspired by his lifelong fascination with gardens and the natural world. His work often explores the relationship between natural forms and the artistic process, using glass to capture the ephemeral beauty of nature in a permanent form. “Fiori di Como” is a quintessential expression of this exploration, inviting viewers to look up and lose themselves in a canopy of glass that is both otherworldly and intimately connected to the natural beauty it seeks to emulate.
The installation of “Fiori di Como” in the Bellagio Hotel marked a significant moment in the intersection of art and architecture in Las Vegas, a city known for its lavish and visually striking environments. The sculpture not only enhances the aesthetic experience of the hotel’s guests but also serves as a landmark work of art that draws visitors from around the world. Its presence in the Bellagio Hotel underscores the role of art in creating unique and memorable spaces, elevating the interior to a place of wonder and inspiration.
Since its completion, “Fiori di Como” has received widespread acclaim and remains a beloved piece in Dale Chihuly’s extensive body of work. It stands as a testament to the artist’s creativity, technical skill, and the transformative power of glass as a medium. Moreover, the sculpture exemplifies the collaborative spirit of art-making, showcasing what can be achieved when visionaries like Chihuly and experts like Philip Stewart come together to create something truly extraordinary.
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Santiago Calatrava S3
Santiago Calatrava S3 Installation
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Santiago Calatrava S2
Santiago Calatrava S2
Pinwheel built 2 of the 7 sculptures for world renowned architect Santiago Calatrava’s exhibition along the central median on Park Avenue between 52nd and 55th Streets in New York City. The exhibition ran from June 8, 2015 to mid-November 2015.
PRESS
Project Summary.
Feature on Philip Stewart.
Clare Henry/Art Journal
NY CURBED
Travel + Leisure
Architectural Digest
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EC TOWER
EC TOWER
PRATT INSTITUTE
This work is a prime example of one of Snelson’s tensegrity structures, a word created by the philosopher Buckminster Fuller to describe Snelson’s structural innovation by combining the words “tension” and “integrity.” That combination manifests itself here in webs of stainless steel tubes and cables that are held in highly stressed, structural arrangements through the push-pull balance of compressive forces in the tubes and tension forces in the cables. If Max Bill, the artist and Bauhaus teacher, was right when he claimed that art can greatly evolve from the basis of mathematical thought, then one could assert that the theory and practice by which Snelson has developed his art is the ideal amalgam of science and art, of breathtaking engineering and visionary structural and design purity.
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B-Tree II
B-Tree II
Frederik Meijer Gardens & Sculpture Park
Stainless steel, 389 x 443 x 434 inches
Gift of Fred and Lena Meijer
© Kenneth Snelson.
Sculptor, photographer, and mathematician Kenneth Snelson has commented, “My art is concerned with nature in its most fundamental aspect, the patterns of physical forces in three dimensional space.” B-Tree II is a site-specific commission that while concerned with nature, firmly utilizes geometry, mathematics and engineering in referencing the natural world. Based on patterning systems using the number three and triangles, the colossal structure utilizes the artist’s patented “tensegrity,” wherein the carefully calculated tension of the stainless steel cords locks the tubular elements up and into space. B-Tree II is the largest structure Snelson has created thus far.
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Forest Devil
Forest Devil
Carnegie Museum
Pittsburg, Pennsylvania
stainless steel tubes and aircraft cable
H: 216 x W: 384 x D: 426 in. (548.64 x 975.36 x 182.4 cm)
Gift of the Women’s Committee
Works such as Forest Devil are not made by threading wires through struts or welding components together. Rather, they’re created through an alternating push and pull of struts against tensed wires. This structural principle known as “tensegrity”—an amalgam of “ten- sion” and “integrity” first demonstrated by Snelson and later coined by his then-professor Buckminster Fuller who the artist says appropriated the idea as his own — designates a mutually supportive closed system. But despite their proximity to engineering and mathematics, Snelson says his sculptures are experiential not formulaic.
Weighing in at about 1,500 pounds, Forest Devil is composed of stainless-steel tubes and aircraft cable. Much of the material was donated by Allegheny Ludlum Steel Corporation as part of a 1978 citywide public arts project that paired internationally recognized artists like Snelson with local industrial manufacturers. The sculpture was also fabricated locally by Pittsburgh-Des Moines Steel Company and Colonial Machine Company.
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Virlane Tower
Virlane Tower
New Orleans Museum of Art Sculpture Garden
New Orleans, Louisiana
Patricia Chandler, curator for the collection of New Orleans businessman and philanthropist Sydney Besthoff, who donated “Virlane Tower” and other sculptures to the museum, said restoration is vital because art offers solace in hardship. Admission to the garden is free.
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